
Here in the States, it's Veteran's Day. In Canada, it's Remembrance Day.
re·mem·brance
n.
1. The act or process of remembering.
2. The state of being remembered: holds him in fond rememberance.
3. Something serving to celebrate or honor the memory of a person or event; a memorial.
4. The length of time over which one's memory extends.
5. Something remembered; a reminiscence.
6. A souvenir.
7. A greeting or token expressive of affection.
Either way, it is a day for sorrow. A day to count and mourn our dead, to hold tenderly the boys (and now girls) we sent away to be mangled inside and out, whether they came home or not. To cry out for the end of war, and the end of blood.
When I was a little girl in Canada we handed out and pinned little red felt poppies to our coats. They still do that there. I'd see all the people go by with the festive red spot on their lapel and know it was solemn, but not quite why. At school we learned by heart and recited this poem:
In Flander's field, the poppies grow
between the crosses, row on row,
which mark our place - and in the sky,
the larks, still bravely singing, fly
scarce heard amid the guns below.
We are the Dead. Short days ago,
we lived, felt dawn, saw sunset's glow,
loved and were loved, and now we lie
in Flander's field.
Take up our quarrel with the foe
to you, from failing hands, we throw
the torch - be yours to hold it high.
If ye break faith with us who die,
we shall not sleep, though poppies blow
on Flander's field.
I guess I've never really thought about the poem until now. As a little girl, I felt a cold shiver at "We are the Dead." I trembled with sadness at the thought that short days ago they loved and were loved, and now, they're dead. The words seemed weighty with importance and grief. Though it was heavy, I'm afraid that the sorrow I felt for the poor Dead soldiers wasn't actually all that different from the sorrow I felt for the Velveteen Rabbit or Old Yeller. Deep, but largely imaginary.
When I read the poem again this year, remembering, I was startled at what sounded like a call for revenge. At what seemed like a threat.
I was shaken for a moment. How could this poem that my heart thrilled to recite at 8 years old be so blood-thirsty? And then I was quiet and listened, and I felt a deep sadness in understanding. It was not a threat. It was a promise.
The foe is the dehumanizing of our fellow children of God. The foe is the hideous disregard that we as a nation have felt for the precious souls of God that we mow down in the interest of our own "interests" and our callous turning away from the sufferings of the "collateral damage".
Tonight I realized that the souls in the poem have kept their promise. The Dead are swelling their numbers every day, and they do not sleep.
I've been opened tonight by the realization that I can only look at death in old black-and-white photos (that's a real, dead man up there. Why don't I wince?), and I turn my face from images of the real-live horror of the Dead. The babies with eyes full of flies dying of AIDS in Ethiopia. The Sundanese mother wasting with intestinal parisites, unable to feed her shrivelling newborn. The Afghani child with two bloody stumps where her feet once were. The trembling, desperate Iraqi teenager with a vest full of vengance, ready to die for what's "right". The trembling, desperate American teenager from South Carolina, with an armful of M-16, ready to die for what's "right".
And I'm sick at the thought that this useless little blog post sounds like just another cliche Quaker squalling about peace. That I had to wait until the arbirary date of 11/11, to be stirred by a dusty old worn-out poem, to think very much more about it than pinning a little plastic poppy to my coat. Tonight I don't know what God wants me to do about it, besides remember. What happened then, but mostly, what's happening right now this very minute.
Then the Lord said to Cain, "Where is your brother Abel?" "I don't know," he replied. "Am I my brother's keeper?"
The Lord said, "What have you done? Listen! Your brother's blood cries out to me from the ground.
Now you are under a curse and driven from the ground, which opened its mouth to receive your brother's blood from your hand.
When you work the ground, it will no longer yield its crops for you. You will be a restless wanderer on the earth."
Gen 4:9-12
6 comments:
Hello Amanda dear-
Do you remember me? Freshman year, I shared a room with you and Anna. I found your blog on Kate's site. It's good to hear what you've been up to lately, girl.
When I studied War Literature, we largely focused on World War One. I was struck by how many of the poems had a common theme: that both sides of the fight were allies against the enemy of war.
There are so many references to the German forces as "friends" that are sincere and not at all sarcastic. (We studied predominantly the British writers, as they are more readily availible in English).
There's a poem I've known since I was young, called Dulce Et Decorum Est. It is an amazing, yet horrifying poem. it is vivid.
I'm not a big fan of that poem for the reasons you gave, though undeniably the first stanza (as you divided the poem) is powerful imagery about the horrors of war and call to remembrance for those who died. The image of the poppies growing over and around the bodies...
Wilfrid Owen and Sigfried Sassoon are two war poets (Owen died in WWI; Sassoon survived) who moved through the facile calls for patriotism and destruction to a more bitter, but very pacifist state.
When remembering that war, it is good to remember "Christmas in the Trenches"
Christmas in the Trenches
(John McCutcheon)
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My name is Francis Tolliver, I come from Liverpool.
Two years ago the war was waiting for me after school.
To Belgium and to Flanders, to Germany to here
I fought for King and country I love dear.
'Twas Christmas in the trenches, where the frost so bitter hung,
The frozen fields of France were still, no Christmas song was sung
Our families back in England were toasting us that day
Their brave and glorious lads so far away.
I was lying with my messmate on the cold and rocky ground
When across the lines of battle came a most peculiar sound
Says I, ``Now listen up, me boys!'' each soldier strained to hear
As one young German voice sang out so clear.
``He's singing bloody well, you know!'' my partner says to me
Soon, one by one, each German voice joined in harmony
The cannons rested silent, the gas clouds rolled no more
As Christmas brought us respite from the war
As soon as they were finished and a reverent pause was spent
``God Rest Ye Merry, Gentlemen'' struck up some lads from Kent
The next they sang was ``Stille Nacht.'' ``Tis `Silent Night','' says I
And in two tongues one song filled up that sky
``There's someone coming toward us!'' the front line sentry cried
All sights were fixed on one long figure trudging from their side
His truce flag, like a Christmas star, shown on that plain so bright
As he, bravely, strode unarmed into the night
Soon one by one on either side walked into No Man's Land
With neither gun nor bayonet we met there hand to hand
We shared some secret brandy and we wished each other well
And in a flare-lit soccer game we gave 'em hell
We traded chocolates, cigarettes, and photographs from home
These sons and fathers far away from families of their own
Young Sanders played his squeezebox and they had a violin
This curious and unlikely band of men
Soon daylight stole upon us and France was France once more
With sad farewells we each prepared to settle back to war
But the question haunted every heart that lived that wonderous night
``Whose family have I fixed within my sights?''
'Twas Christmas in the trenches where the frost, so bitter hung
The frozen fields of France were warmed as songs of peace were sung
For the walls they'd kept between us to exact the work of war
Had been crumbled and were gone forevermore
My name is Francis Tolliver, in Liverpool I dwell
Each Christmas come since World War I, I've learned its lessons well
That the ones who call the shots won't be among the dead and lame
And on each end of the rifle we're the same
Angel,
Of course I remember you. I've been stalking you silently on your blog through Kate's. I expect I'm a bit of a disgrace to the Ave name, but that's okay. I'm glad you found me! I remember that long sunburned rowboat ride we took the first time we met. That seems like so many moons ago.
Ash,
Thanks for your contributions to my blog lately. Dulce Et Decorum Est is new to me this year. I found it only a few months ago, and it made me freeze a little bit. It's good to be reminded of it.
Emily,
Thanks for the names of those war poets. I've long avoided anything to do with war. For example, I won't watch movies like Saving Private Ryan or Pearl Harbor, I hate the History Channel, and so I've never really read any war poetry. I think maybe that's been a mistake. I'm thinking of a line from a poem of William Carlos Williams'
"It's hard to get the news from poems, but men die
miserably every day for lack of what is found there."
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